Whilst I am only too fully aware of the number of models sold on Ebay which are far from what they seem and have descriptions which, even those written by AI, veer markedly from the truth, I do sometimes strike lucky. I bought those illustrated below plus a couple of other Corgis for £30. They did look a bit dirty and the photos provided weren't very well-focussed but I was happy to pay a lot more for just one of them - what looked like a lovely example of a #322 Rover 2000 Monte Carlo, one of my favourite models.
It has two or three small marks to the paintwork but none in obvious places and is totally original. No one has attempted to repaint the roof and it has the correct original decals with that slightly unusual font which most dealers supplying replacements get wrong. And the rear window isn't cracked where the Trans-o-lite system joins. Amazing! Prior to starting the catalogue and my Corgi business I had always kept my own Rover model on a shelf or on my desk at an office for many many years. It was one of the first models that I searched for in 2013 because my own model had disappeared. I did need one now for a Gift Set 38 I am building to take advantage of a reasonable reproduction box that has come my way but I tend to buy these when they're at reasonable prices anyway. It must be something about the colour and I do love jewelled headlamps and, of course, the super Trans-o-lite double headlamps.
In the group was this little #328 Monte Carlo Hillman Imp. Now I did expect this to arrive with something wrong, most probably broken suspension which these Imps so often suffer from. However, apart from some flat spots on the tyres, which were rock hard and have now been replaced, and some wear to the decals on the sides, this is a super little example. It is also the version with a yellow interior whereas most I've had have been white.
The #314 that was in the group is not a model I like very much and they all do seem to be very cheap and plentiful so the £5 I effectively paid for this one isn't quite so much of a bargain and I probably won't sell it for ages and even then at only £10 if I'm lucky. It's clean, though, and just missing the Ferrari transfer and a RN4 on one side. Unlike the other two I have at the moment, this one does have both exhausts! They seem to break very easily, being thin pieces of chrome-plated plastic and a little vulnerable at the rear. I know of only two variations for this model and that is in the lines on the base. Early models have two simple parallel lines. Later models have an angled section at the rear end of each line. This was around for such a long time that there may well be other differences that emerged with time but I have yet to know about any. I do notice different RN transfers - colour and style of numeral but wonder that these may just be poor reproductions.
Another model I have managed to avoid having for many years is this #151A, the second outing for the rather bland-looking Lotus Mark 11. The first edition from 1958 was a little interesting in that there are some scarce colours like red and silver to discover but for this one it's just smooth or shaped wheels and RN3 or 7. This one does have a driver although I am not sure it's the correct character as he appears to be much too high above the screen. Having said that, the Simon Templar father-figure in the #215S Thunderbird would suffer at any speed as he sits several inches above the top of the screen in that car too.
I am quite happy to have this, though, as it is very clean, all original and a colleague in Australia sent me a sample reproduction box in return for my assistance with design and dimensions for it. His work is excellent, rather better than some we may be more familiar with and I can now sell this model with his box, which has been lying around for a couple of years at least.
I am also most relieved that the tyres are OK on this one. I have no idea how anyone can change them!
I shall not bother to bore you with photos of the other two models, for which £5 was probably about the right price to pay if I am going to get any profit at all from them. One was a #309 Aston Martin Competition, a late model with the small, closed vent. The paintwork was not good, though, showing a lot of playwear so it could be something someone might wish to restore. The only other fault is a small scratch on the front screen so I really don't want to break it apart as the decals, suspension, wheels are all sound and, despite being well worn, it is still all original. So someone might like it for a few pounds.
The other was a #155 Lotus-Climax Racing Car. It looked great, with a driver and suspension is intact and the paintwork very good. Unfortunately, though, it has lost the twin chrome exhausts. It does look an easy repair and one that ought to be worth doing as the end product will be a lot better than some restoration repaint. There's no need to break it so perhaps that'll appeal for a few pounds too.
This article was just about some of the every day models we see come and go and to share how sometimes you can do well on Ebay. The site is much-criticised and some people seem to want to avoid Ebay like the plague but I don't have a lot of trouble there. The costs of selling are high but it is the only site which I feel reaches a large enough audience of people who are interested in what I have to sell. I would much rather everyone buys from my own store, where I do get to keep a lot more of the proceeds and, accordingly, list products at lower prices, but it's simply not anything like as well-publicised.
You do have to be careful - and I feel sorry for whoever bought a fawn-coloured 'Pre-production sample' of a #241 Ghia L6.4 this week for £166. I did write to the seller when I first saw it to say that he would be disappointing a buyer as there were several signs that this was most definitely not a pre-production sample but merely something someone had repainted and screwed back together. The seller maintained that the screw was the same type as another that had been illustrated, possibly in the Great Book of Corgi, of a factory sample of a Ghia Mangusta 5000 De Tomaso and even included that illustration in his listing. The two screws were quite obviously different and, whilst I doubt Corgi had any 'standard screws' for holding models together anyway, I am sure that a pre-production sample, which would be from 1962/3 would not be identical to a 1968/9 one for the later Ghia!
I have had many genuine colour trials and factory samples and they have rarely been screwed together. The base is either riveted as per a normal issue or where the model is very much something being worked on and a very early sample, the base is held on by elastic bands. Screws may have been used sometimes and I am sure some people will have genuine examples but that badly-painted brown Ghia was not good. Unfortunately, now that it has achieved that price once this will be used by someone to justify another high price next time it appears on the market and, much as we may criticise Ebay sellers, there are plenty of similarly inaccurate descriptions at all the major auction houses where I suspect this will finish up one day at £400.
But that is all another story. For now I just wished to share you some of the nice surprises that can be found on Ebay.
No comments:
Post a Comment